Featured Post

Review: Violette Szabo: The Life That I Have

Violette Szabo: The Life That I Have by Susan Ottaway My rating: 4 of 5 stars Disclaimer: ARC via Netgalley Earlier this...

Monday, September 18, 2017

Review: Violette Szabo: The Life That I Have

Violette Szabo: The Life That I Have Violette Szabo: The Life That I Have by Susan Ottaway
My rating: 4 of 5 stars

Disclaimer: ARC via Netgalley

Earlier this month, Kate Elliot re-tweeted a thread about little known heroes, women heroes to be exact. And this is true. In America, the story goes women in the Second World War built the planes and nursed. We are usually not taught about the women who dropped into Occupied France, and if it is mentioned, they are British.

And we usually don’t tell. Recently, a student read a selection of Julia Child. He didn’t hate it, but found it a bit boring. It was about food after all, but tell that same student about Child’s wartime work, and he gets more interested.

Violette Szabo wasn’t an American, and she did have a movie made about her. Yet, today, she is not well known by history books. At least the ones used in schools. After the death of her husband, Szabo joined SOE and went into Occupied France twice. Her actions during both missions were heroic.

Susan Ottaway’s biography of Szabo is in many ways, a counter point to Crave Her Name with Pride. Ottaway was able to interview not only Szabo’s brothers but also her daughter Tania. What is presented here is a pretty good and seemingly fair biography. While detailing the heroics of Szabo, Ottaway weighs the validity of stories, looking at not only the narrator but also the possibility of such action.

At times, it does feel that Szabo is just out of reach, but considering the scant sources, this is hardly surprising. What is interesting is looking at what Szabo and her daughter think about Szabo’s work and the “morality” of a mother doing such duty. Ottaway also details life after the war and how the family was treated by the makers of the film.

View all my reviews

Sunday, September 10, 2017

Amulet 1-6

I picked up the first six volumes in this series for free.  Apparently, it was when volume seven was about to be released and Scholastic offer the first six via Kindle for free.

                The series chronicles the adventures of Emily, her brother Navin, and their mother as they try to adjust to an unexcepted trip to a magical land.  Emily is a Stonekeeper, an Amulet wearer (hence the title of the series).  She received this amulet from her grandfather upon her arrival.

                In short, this is a series where the chosen one is a girl.

                And that is cool because that doesn’t happen too much.  Don’t worry though, unlike some series where the sidekick gets sidelined, Navin too is allowed to come into his own, and his skill set is different than his sister’s.

                Kibuishi makes it quite clear that the siblings love each, though they do tease each.  The back story for the family is pretty much comic standard, one that we have seen pretty of times.  The artwork is cool, and the comic touches on themes such as redemption and protection.  At first it seems that the bad guys are going to be the elves, but the true evil becomes more complicated than that.  Kibuishi also illustrates where hate and fear can lead people.  It’s a tale with morals that doesn’t hit the reader over the head with them.

                Additionally, there is a creature that resembles Cherbourg (you know that mountain demon from Fantasia’s Night on Bald Mountain).

                I did have some problems with the story.  The first is one that I think only adult readers will have.  Both Emily and Navin at times seem both too adult and too childish.  It doesn’t quite work and at times, it throws you out of the story.  This occurs when Navin says to two children that they are too young to be helpful.  But I am pretty sure this is just an adult perspective.  The other issues are despite Emily being the chosen one, for much of the series the other major players are all male.  This changes in books 5 and 6 where we finally get more female characters who are active and not simply damsels in distress (like Emily’s mother).  This could have occurred before – Emily is being accompanied by men, trained by men (or male animals) so it is a little disappointing.  But if 6 is any indication this is going to change in the rest of the series.

Tuesday, September 5, 2017

Review: Star Wars: Lando

Star Wars: Lando Star Wars: Lando by Charles Soule
My rating: 4 of 5 stars

I love Star Wars, I do, even though in the films the world building lacks the depth of Star Trek. My favorite character was always Leia, but Lando was a close second. I always wanted them to get together. I mean, do you think Lando would turn out like Han did?  Lando ran a city, and he seemed to be doing a pretty good job until Han showed up.

Anyway, this is Lando's adventures after losing the Falcon and before he gets Cloud City. In fact, it seems to be the push for Lando to get Cloud City and to take care of the people there (like Leia, he lost his home. They would have had beautiful babies).

It's a fun read, if not particularly deep in some areas. Nice use of women. I also quite frankly like the reversal of the black man who scarfices himself so the white hero can learn something trophe. That was cool.

Fun fact of the day: Billy Dee Williams was good friends with James Baldwin.

View all my reviews

Monday, September 4, 2017

Review: The Many Selves of Katherine North

The Many Selves of Katherine North The Many Selves of Katherine North by Emma Geen
My rating: 2 of 5 stars

The two-star rating is somewhat misleading and perhaps unfair. The basic premise of the book is good and interesting. The basic premise is simple – Katherine’s job is that her consciousness inhabits constructs of animals. She does this for study. So, for instance, she wants to study foxes, she inhabits the body of a fox. Her real body is during this time connected to a basically life support. Over the course of the novel, secrets about the company she works for are revealed and you get the general idea.

Geen excels at imaging a person’s reaction to have as many limbs as, say, a squid. When she writes as Katherine adjusting to a different form, the book is really good. The problem is that when Katherine, Kit, leaves those animals you don’t give damn about her because she isn’t a fully realized character.

Now this could be in part because Geen wants to dwell on the question of real life versus the life of unreal – i.e. inhabiting a body that is really a construct as opposed to your own body. While sometimes the book does this, it really isn’t done well and Kit really does seem to lack any ability for interception. This might be because this science fiction book is really a young adult book. There are good ideas here but nothing really gets examined and it almost feels like there is another story here. The bits about Katherine’s past are interesting, a tad, but they come so late that you just don’t care. The romance just feels there.

Yet, I must admit my problem started much earlier and it isn’t just to this book. It was just a bit really. Kit is describing the machines that keep her body alive while she is animal surfing, and notes that there is a cup for when women get their period. She then tells the reader that she hasn’t had a period for years.

She’s 19.

Now, later in the book it is revealed that the process of animal surfing does harm the teens (who are best at it), but it is never clear if Kit’s lack of a period is because of this or some other issue. In fact, it is implied that it isn’t a result of animal surfing. She never seems curious about it. This is strange considering she apparently wrote some really good biology papers so it seems she has some scientific knowledge. Wouldn’t she wonder? I mean maybe she has an IUD, but then why mention the period at all. But Kat is already extra special because no one has animal surfed as long as she has. She’s the bestest. The lack of bleeding seems connected to this.

And she had her period at one point because she hasn’t had one in a while, in years, which implies she had one. Wouldn’t she wonder?

Now, look, I don’t except the female characters to tell readers every time they have to pull out a pad or what’s it. I just presume that’s happening, so when a character tells me information about a period, I pay attention.

And this isn’t the only book where I have seen this.

In much genre fiction, regardless of target age range, there is a tendency for a female character to be the sole female character who can do anything right. She is the unique female character. Written badly, she is simply a man with boobs who looks down on every other female character. If you have read the Anita Blake books that’s an example. At times, the character doesn’t have to be written badly for this to make an appearance. Kitty the werewolf in some of the books in the series is the unique and extra special woman. I’ve noticed that sometimes the extra special woman will not have a period.

Why?

Why is this even thought about? Here, it might be an excuse for why Kit can keep working, yet conversations with others in the book indicate that it isn’t simply a biological but also mental reason why people stop animal surfing.

The only answer I am left with is the lack of the period makes the female character more acceptable. To whom? I’m not sure. Perhaps it is wish fulfillment too. But I don’t think so. There is something strange and discomfiting about this. Perhaps it is because there are still societies were women are exiled because they are considered unclear during that time of the month. Perhaps it is because something natural is being seen as icky – strange in a book where biological animal function is discussed. But I think it comes down to specialness and pureness. A girl isn’t a girl unless she is unbloodied. Now, you can have the girl without the nasty woman bits.

And that frightens me to be honest. It seems to be saying, you can’t be a woman. Not really because it is unclear. Not nice. Just icky. Perhaps I’m just an old grouch. Perhaps I’ve had it with things after hearing about an all-female Lord of the Flies movie, created by two men.

But this rejection just seems so wrong. Look, I’m not saying she has do a Greer and taste her menstrual blood, hell, I don’t even think the period should really rate a mention unless it has a truly important role – pregnancy, starvation. What upsets me is the fact that women writers feel it necessary to point out that the female heroines are even more special because they don’t have a period.

View all my reviews

Friday, August 25, 2017

IDW Star Trek (2009) Comic Books

Recently, I read my way through the Collected On-going Star Trek, its follow up series, and two special limited runs.  I think it was a reaction to the Orange One’s comments about Charlottesville.



                The comics take place in the Kelvin Timeline.  For those of you who are slightly clueless, this is the timeline of the three most recent Star Trek movies (the ones with Pine, Quinto, Saldana, Pegg, Urban, Cho, and Yelchin).  What I loosely call Star Trek Moviedom vs Star Trek Tvdom.  Yes, I know there were Star Trek movies with the originals, but they were television series first.  I actually like the Kelvin timeline for a few reasons, besides the fact that Pine, Urban, Cho, and Saldana star in it.  (And Quinto, but I hadn’t really seen anything he had been in before this.  I didn’t like Heroes).  The fact that the supporting characters are given expanded roles makes me so happy for in the original series my two favorite characters were Uhura and Sulu (did anyone else ship them?).  I’m perfectly fine with and actually like the Spock/Uhura relationship.  While I understand the whole idea and belief system behind the gay couple of Spock/Kirk or Spock/McCoy or McCoy/Kirk aka the gay threesome and reading stories where it occurs does not bug me, lately I’ve wondered if the homosexual takes on it isn’t simply an outgrowth of the idea that men cannot have close relationships with other men (who are not related by blood) unless there is a homosexual undercurrent.  This reasoning seems to be a bit sexist too me.  Sulu being married to a man and having a daughter didn’t annoy me, though I think I understand why Takei was a bit put off by it.  By having Sulu gay in an alternate universe, it appears to be one is gay because of nurture as opposed to nature, which would dismiss the genetic truth.  Also, why not simply create a fresh homosexual character?  But okay.  The only thing about the new version of Trek I didn’t enjoy was in the first two movies where we had women stripping down to bra and panties because J J wanted to see Uhura and Carol naked.
Source Pinterst
  Funny how that stopped when Pegg and Lin took over.  Additionally, I wasn’t too thrilled about the problems of the Spock/Uhura relationship in the second and third movies.   Why both plot arcs make sense considering what happened to Vulcan, the third movie felt it happening somewhat late, and quite frankly, please don’t make that the only reason why she is there.  To be fair, Pegg and Lin didn’t do this as much, and the inverse of McCoy/Spock discussing Spock’s relationship (twice) instead of Uhura doing with her girlfriends was nice.

                But I do like the Kelvin timeline.

                Star Trek Vols 1-13 is the first series, starting roughly around the time of the first movie and leading up to the third.  The first volume occurs right after the first movie.  Countdown to Darkness take place before the second, Manifest Destiny after the second, and Boldly Go occurs after the third.

                Mike Thompson is a good Star Trek writer, and there is much to love about his exploration of both the series and characters.  In Vols 1-13, there are some drawbacks.  At times, as in most comics, the artwork can be a bit uneven.  At some points, one has the feeling that the story arcs would have been better if given one or two additional issues, and sometimes the alternate takes on the original series plots doesn’t match the original in terms of storytelling.

                However, these flaws are outweighed by the good.  One of Johnson’s strengths is his use of minor/background characters from the film.  We see Darwin (the black women at the helm at some points), we get Keenser’s story, we get a story from Cupcake (you know the red shirt with the beard) about redshirts.
Source Piniterst

 There is a recurring head of security who is a kick ass woman, perhaps a nod to the tragic mistake of TNG killing of Yar.  The background characters are far more racially mixed than those of the series or even the movies. It’s pretty.  There also isn’t much underwear showing or Kirk having sex with aliens.  Women characters are active and not damsels in distress.  Damsels in distress save themselves in this series. (Uhura saves Spock twice!).

                For me, the test of any Star Trek story is the amount of time that the supporting crew is given, largely because they were my favorite characters.  Johnson does give Sulu, Uhura, Scotty, and Chekov more time in the spotlight (Chekhov gets the least).  We are even given their “origins” or their Academy stories – and McCoy’s as well.  At first glance, it looks like Uhura’s story is simply going to be that of her relationship to Spock, but Johnson uses this to go into Uhura’s past, and even refers to this past Boldly Go #9.  It’s cool.  Both Chekhov’s and Sulu are given pasts that show them at the Academy – Chekhov in the desire to fit in, and Sulu as a principled and ambitious character he is.  They also get larger roles in general story lines, with both Sulu and Uhura getting the command chair, and in Sulu’s case leading an away mission.  Sulu’s husband and daughter are also referred to in the Boldly Go series more than once. 


                What I really love is how wonderful Uhura is shown here.  While in some of the stories, she plays a supporting role for Spock, in more she comes into her own.  Johnson also shows repeatedly why linguistics and language are important.  The one flaw is that she is still the only primary female character.  It’s true that in a few issues Carol Marcus appears, but she and Uhura have no interaction, and after a few issues, Marcus disappears.  Galia, Uhura’s roommate from the first movie, pops up again, and the panels that show the friendship she has with Uhura are immensely well done.  Additionally, there is a reference to slut shaming/victim blaming that Galia handles extremely well.  Galia, and her brother Kai, who was working on the Enterprise, get their own storyline.  I wish that they had kept Galia because too often it feels that Uhura is the only woman in a man’s world.


                And this idea does seem to find its way into the Manifest Destiny miniseries where the crew does battle with Klingons – including one of the greatest speeches about Klingons I have ever read.
                Thompson’s favorite playground seems to be alternate realities.  There is a Mirror, Mirror arc that shows the reader the Mirror verse of Kelvin, but also a couple alternate timelines – one where Old Spock arrives in an almost Mirror, Mirror world, one with a sex shift crew (i.e. Captain Jane Kirk), and finally, one involving Q.  The Q storyline is actually damn good, and while Picard makes an appearance, a cameo of sorts, the major guests stars are the characters from the best Trek to ever appear on the tube – DS9.  Honestly, the volume of this arc – the Q Gambit – is a stand out.  It’s worth reading if nothing else.  There is also a special story to celebrate the anniversary.  This story features all the doctors from TV Star Treks in one story.  There is even the best doc ever – Dr. Pulaski.



                The last collection 13 contains an Old Spock story as well as cross over with the original Trek.  In the crossover Thompson plays with not only the different situations that the characters are in, but also why they look different.  It was a nice nod to the differences, not only in a fitter McCoy say, but also differences in design.
   
             Boldly Go is the follow up to the On-Going.  I found it to be a bit weaker, though this seems to be a result of the temporary diversion of the Enterprise crew while they await the completion of the new Enterprise.  Kirk’s temporary command includes a first officer who is a woman, a strong and capable woman whose decision eventually leads to Sulu taking over the first officer slot.  The characters are good, and Jaylah returns with a bunch of cadets, including a few women who talk to each other.  The stand out issues for me are 9 and 10.  9 features Spock and Uhura on New Vulcan.  It looks at their relationship but the primary story is a mystery only Uhura can solve because of her humanity and her language skills.  Issue 10 concerns Scotty, the cadets, Keenser, and Kevin.  It is really funny.




                What the writers, artists, and the rest of the crew have managed to do is to capture the power of Star Trek that Gene Rodenberry had – the togetherness, the crew coming together, the better world idea that feels so reassuring after recent events.  Rodenberry’s vision of what we could be was so powerful that it stands the test of time.

Review: The Iliad of Homer

The Iliad of Homer The Iliad of Homer by Homer
My rating: 5 of 5 stars

I think it is a safe bet to say the only book I have read more than this is The Lord of the Rings. I have read this story in some form or another for a long time. First a child’s version, then Rowes’s prose translation and so on. I wanted to re-read the poem while I listen to the Great Courses lectures on it.

The Iliad is a poem about warrior but it is also a poem about love. Not Helen and Paris, for as the poem tells you, Helen seems to have regretted her choice of men, for she has fallen out of love/lust with Paris. So, the Hollywood version of two young lovers being pursued by a vengeful husband is a bit wrong. Paris, after all, was not a good guest.

No, it’s more about love for one’s country and people/friends/family. Though, not daughters, quite frankly there only seems to be one good father to a daughter in the whole of the poem. That’s why people always seem to root for the Trojans, because we are shown them as family oriented. Even Priam, who one could argue, is behaving rather stupidly by keeping Helen, loves his sons and, one presumes, his daughters.

It’s tougher with the Greeks because they are the invaders. They are attacking to get a woman back, but they are attacking a people who really didn’t do anything. The Trojans do seem to be aware of the silliness of the whole exercise, but they still do it.

Helen who should be a lover, isn’t. She is embarrassed by Paris, upset by him, and one wonders if she is a victim of both time and the gods. She doesn’t seem to be happy. Perhaps rape in both meanings of the word is an accurate description.

Yet, even as the Trojans symbolize or stand for family, in particular Hector, there is a family sense in the Greeks as well. In part this comes from Hera, whose accusations against Artemis who fights in the support of the Trojans. Hera is furious at Artemis and it seems to have more to do than simply Artemis being a product of Zeus’ unfaithfulness. Hera, the goddess of marriage is angry about the mothers who die in childbirth. She is with the Greeks in story because of the apple, but also because she is about preserving marriage.

Some critics argue that it is also about the humanity versus inhumanity as represented by Hector and Achilles, or about the old giving way to the young (the Greeks in particular). But it is about humanity and pathos, even in the smallest characters.

View all my reviews

Friday, August 18, 2017

Blacksad Series



This isn't Disney.

For which we should all be very thankful.

First, let me say that the artwork is stunning, in particular how certain real figures were shown as characters in this book.  The series is about a panther who exists in a world similar to our own, but instead of humans, animals.

In the first collection, the thing, the real thing, is the plot. Blacksad is a private detective whose first tale involves solving the murder of his former girlfriend. The best part, however, is the second story in this book, with the last running a close second.  The second story is a look at race as told by the animal figures that inhabit the world. Quite frankly, any novel, graphic or otherwise, that can reference "Strange Fruit" and get it correct deserves an award.



In the best tradition of animal stories, this graphic novel makes you think about the human condition.
The second volume of the series, Silent Hell,  takes place in the South, and despite the use of animals, actually does chronicle a story inspired by true events.  The question here is about music, truth, and testing.  Blacksad is accompanied by his reporter sidekick, and the second volume links nothing into the third volume of the series.
                The third volume is the only volume that does not deal directly with race, at least not in the same way as the first two volumes of the series. There are subtle hints in Blacksad’s sister and his nephews, but that is about it.  The third volume does refer to the lives of the Beat poets so it does have that tie in, but the overarching social look is missing a bit.

                I do wish that Idris Elba would play Blacksad, simply because it is a role that seem so suited for him.