While I was not the targeted audience for Harry Potter when
it was first released, I did eventually read the books, and one of my fondest
memories is sitting outside the local coffee shop with two friends discussing
horauxes. Yet, I always felt some
disquiet or something off when reading Harry Potter. Part of it had to do with Hermione, but that
wasn’t the real reason.
(Bing Images)
I could never
really but my finger on it. And then I
realized that while Harry Potter starts as an outsider, the true outsiders of
the book are the readers.
In
fact, this is true for many books. Yet
with Potter it means something different.
Harry, Ron, and Hermione work in part because they start as outsiders,
as the un-cools, though as the series progresses that status shifts, as it must
be considering what happens in each book.
Ron does, however, function as the least of the trilogy and thereby a
latch key to the group. But in the realm
of the book, the readers are muggles, and muggles are really not that important,
to anyone.
Yes,
anyone.
Even
those wizards that come from muggle families seem to have a lack of
interest. Reading the back stories of
some characters such as McGonagall or Remus, one learns that those wizards who
are part muggle are far more common.
Yet, Hermione seems to be the one character who exhibits any influenced
by muggle society and this in her desire to free the house elves. The view of most of the wizarding world is
that muggles are to be tolerated and sometimes they come up with something good
– such as a train – but otherwise just pat them on the head and keep them out
of the business. Perhaps the most
disturbing story of muggles in the Harry Potter universe has to do with the
development of the train to Hogwarts, built by muggles who had their memories
wiped – perhaps unpaid muggles who also would have lost wages, at the very
least tax money would have been used. It
is hardly surprising, considering this, that Voldemort had so many recruiters.
Even
Dumbledore is less than stellar here for look at his treatment of Petunia. Actually, I really am starting to feel sorry
for her. It is awful to be the other
sibling of a much beloved person. And Petunia
lacked magic, she wasn’t special in anyway.
Lily may have been sweet, but that doesn’t remove the treatment of
parents, of almost indifference that Dumbledore shows – because surely Petunia
can’t have been the only non-magical sibling ever. Dumbledore’s letter, while an attempt to be
kind, no doubt rubbed salt in the wound.
Then years later, imagine being made responsible for your nephew, who
someone tried to kill. This doesn’t
justify her treatment of Potter, but she is at least worth feeling sorry for.
(Evans Sisters by Wishing On A Star. Wattpad)
The
reader is a muggle and in most cases, at some point, in the re-reading of
Potter, the reader will wonder what would be their life in the world. Undoubtedly most of these musings have an owl
appear in them, but as the reader ages, perhaps this changes. While we still want to be Harry, Ron or,
especially, Hermione, but a sneakily suspicions dawns that we might be a young
and not mean Petunia. It is hard not to
take the slights to muggles in the book just in passing. The outsider status is still there. The wizards look less cool and more like
holier than thou idiots – honesty, if the wizards are secret what could be the
reason for that – hmm – they lost a war against muggles, perhaps. Give a person a frying pan, hit wizard, break
wand, war won. Right? Of course, there are larger questions – like
what would a wizard do during a war, considering house elves would wizards side
with the Confederacy? What about the
Holocaust? What does it say about wizard
morality if they didn’t get involved in the Holocaust? These are heavy questions and not many, if
any, readers are going to ask them
But the
reader is still a muggle, is still an outsider.
And
that is brilliant.
Whether
intentionally or not, Rowling highlights the importance of representation in
books. It’s truly the Potter books are
largely white with most of the major actors being male. This is something that she breaks in her
Causal Vacancy (her best work, btw), and something that for all its wrongness Cursed
Child also did. And Vacancy too is about
being an outsider in the real world, of being too different, of being the other,
of being the outsider because of the family, of color, of size, of class. Harry Potter puts the reader in the position
of other – any reader, really.
Because
of this, it is a hint, only a hint, the barest hint, of what it would be like
to constantly read (or see for that matter) stories where what the reader is
always secondary, if present at all. So
even if Harry Potter isn’t perfect in terms of representation, it still contributes
to the conversation in a vital way. That
is true magic of Rowling’s work.
(Two Great Witches - Source BBC America)
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